Selected Press / Bibliography
Greg Thomas, ‘Pavel Büchler: Signs of Life’, Burlington Contemporary, 7 February 2024.
Martin Herbert, Review of Rick Buckley Under a grey blanket Berlin, 9.–19.11.1984 Old World Apes, Art Monthly, No 469, September 2023.
Mark Poole, ‘James Fry: Licence to Rock and Roll With It’, Paninaro 005, August 2023.
Neil Noon, Review of James Fry, A Licence to Rock and Pop, The Wire, April 2023.
Kevin Quinn, ‘Subcultures Interest Group: Kevin Quinn interviews Jim Fry’, UAL Post-Grad Community, 14 February 2023.
https://www.arts.ac.uk/study-at-ual/postgraduate-study/postgraduate-community/stories/subcultures-interest-group-kevin-quinn-interviews-jim-fry
Review of James Fry, A Licence to Rock and Pop, Record Collector, Christmas 2022, No. 539. 2022.
Adelle Stripe, ‘Adelle Stripe’s Books of the Year 2022’, Review of James Fry A Licence to Rock and Pop: An Inventory of Attitude, November 2022.
https://uk.bookshop.org/lists/adelle-stripe-s-books-of-the-year-2022
Louise Penn, ‘Book Review: A Licence to Rock and Pop’, Loureviews, Review of James Fry A Licence to Rock and Pop: An Inventory of Attitude, 3 November 2022.
https://loureviews.blog/2022/11/03/book-review-a-licence-to-rock-and-pop/
John Quin, ‘Composites For A Generation: James Fry's Baker's Dozen’, The Quietus, Feature on James Fry and A Licence to Rock and Pop: An Inventory of Attitude, 14 September 2022.
https://thequietus.com/articles/32053-james-fry-earl-brutus-bakers-dozen
Greg Thomas, Review of ‘Untitled: Art on the conditions of our times’ at Kettle’s Yard and The Marduk Prophecy, Art Monthly, No.451, November 2021.
Kadish Morris, ‘Black artists take Britain’s pulse – and pose as Grace Jones’, Review of ‘Untitled: Art on the conditions of our times’ at Kettle’s Yard and The Marduk Prophecy, The Guardian, 14 July 2021.
https://www.theguardian.com/artanddesign/2021/jul/14/untitled-art-on-the-conditions-of-our-time-review-kettles-yard
Julian Weber, ‘There is a lot at stake’, Interview with Marisa J. Futernick, taz, Saturday 16 January 2021.
https://taz.de/Archiv-Suche/!5741483&s=marisa&SuchRahmen=Print/
Review of Deconceptual Voicings, Neural Issue 66, Summer 2020.
http://neural.it/2020/09/vvaa-deconceptual-voicings/
Review of Deconceptual Voicings on fairaudio.org, 5 December 2019.
https://www.fairaudio.de/musik/marc-matter-stefan-roemer-fka-twigs-magdalene-battles-juice-b-crypts-musikkritik-1119/
Review of Deconceptual Voicings on vitalweekly.org, December 2019.
http://www.vitalweekly.net/1212.html
Deconceptual Voicings on Bavarian Radio BR2 Artmix Broadcast, 11 November 2019.
https://www.br.de/radio/bayern2/programmkalender/ausstrahlung-1925190.html
‘Publisher Profile: Slimvolume’, Cornerhouse Publications, 1 February 2018.
https://www.cornerhousepublications.org/news/2018/02/publisher-profile-slimvolume/
Stephen Sutcliffe, at Fifty. Published by Sternberg Press and Talbot Rice Gallery, 2019. Images 39 and 40. ISBN 978-3-95679-404-9
Review of Scott King: Public Art, Eye Magazine No. 94 Vol 24. 2017.
Sylvia Prahl, Review of The Critic as Artist, tageszeitung Berlin, October 2017.
https://readinginternational.org/wp-content/uploads/2017/07/archiv26.pdf
Billie Muraben, Review of Scott King: Public Art, It’s Nice That, 9 August 2016.
https://www.itsnicethat.com/articles/public-art-scott-king-fraser-muggeridge-090816
Dorothee Richter and Barnaby Drabble, ‘Curating Degree Zero Archive 2003–2008, OnCurating.org, Issue 26, October 2015.
https://www.on-curating.org/issue-26-reader/curating-degree-zero-archive-20032008.html#.XoIxKtNKhE4
Stuart Home, ‘The Tarot of Photography: Is Necromancy Dead?’, Fiona Banner: Stamp Out Photographie, Whitechapel Gallery, 2015. Page 68.
Maria Fusco, ‘1982, Doom Knots’ in BUSY. Exhausted Self / Unlimited Ability, edited by Agnes Husslein-Arco and Bettina Steinbrügge, Verlag der Buchhandlung Walther König, Cologne/ 21er Haus, Schweizergarten. 2012. ISBN 978-3-86335-249-3.
Peter Suchin, ‘Outrageous Fortune: Artists Remake the Tarot’, Art Monthly, Issue 349, September 2011.
Laura Cumming, ‘Catherine Yass; Outrageous Fortune: Artists Remake the Tarot – review’, The Observer, 31 July 2011.
https://www.theguardian.com/artanddesign/2011/jul/31/catherine-yass-mike-nelson-adam-chodzko-jamie-shovlin-cerith-wyn-evans
Jessica Lack, ‘In Pictures | Outrageous Fortune: Artists Remake the Tarot’ AnOther magazine, 5 July 2011.
http://www.anothermag.com/current/view/1201/Outrageous_Fortune_artists_remake_the_tarot
Ch. Keller/M. Lailach (eds.), Kiosk, Modes of Multiplication: A Sourcebook on Independent Art Publishing 1999-2009, Page 326. Published by JRP/Ringier, 2009. ISBN 978-3-03764-075-3
Fleur Britten, ‘Up from underground: ‘Zines are all the London rage’, article in International Herald Tribune, 27 September 2006, Page 16.
Gill Saunders and Rosie Miles, Prints Now: Directions and Definitions, V&A, 2006. ISBN 1-85177-480-7
Maria Fusco, ‘Thinking Machines v The Big Swap’, a-n magazine in ‘Collections’, October 2005, pp. 6-9.
Holly Walsh, Review of Slimvolume Poster Publication 2004, Frieze, March 2005, Issue 89, page 75.
Tom Morton, Review of Slimvolume Poster Publication 2003, Arena, December 2003, Page 39.
Pablo Lafuente, ‘For the Select Few’, Art Review, December/January 2003.
